Study and Survey of Anahita motifs in pre Islamic art

Farajzade, Saba and Afkhami, Behrouz and Hajizadeh, Karim (2015) Study and Survey of Anahita motifs in pre Islamic art. Masters thesis, University of Mohaghegh Ardabili.

Text (مطالعه و بررسي نقوش آناهيتا در هنر پيش از اسلام) Saba farajzadeh.pdf Download (1MB)

Abstract

The role and place of its importance to the study of the works of art can be seen. Designs on stamps, coins and relief rock and metal containers, always present and has highlighted the Anahita. Undoubtedly, mythological and religious beliefs that emerged from the heart of Iranian history and culture, has a unique role in this permanent presence. A. The role not only as a visual element in art that was more consistent with the basic concepts and symbols. This study is based on three parts, the first part of the second season is about to examine evidence in the beliefs and myths of A. Before the end of history has been and continues to mark its presence in the literature ancient Iranian religion, the Avesta, and the archaeological evidence of Achaemenid and Sassanid inscriptions have been studied, the second part of the third chapter of this study is to analyze the visual motifs in art historical periods relate to Anahita A more detailed description of space and image composition has been Anahita. The imagery on stamps, coins, relief and metal containers discussed the appearance and wears his symbol and symbols that have been used in the composition is included. Finally, a comparative study of the evidence that they present the works of Anahita in other regions and cultural areas as well. If the result of this study is that the goddess Anahita in historical and material means (the archaeological evidence) effects of cultural districts such as Babylon, Phoenicia, Greece and Rome had been

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